Piano pieces in A minor
36 pieces in A minor to read and learn at your keyboard, levels 2 to 6, easiest first. Its key signature is no sharps or flats. Each piece comes with easier versions made from the score itself.
A minor on the circle of fifths, with its neighbours, and its scale with fingering on the scales chart. C major has the same signature, no sharps or flats, with 106 pieces of its own.
- Pieces
- 36
- Levels
- 2 to 6
- Key signatures
- none
- Length
- 16 to 126 bars
Level 2
A tune over a simple left hand, mostly in one hand position.
Level 3
Both hands busy, the hand moves around, a sharp or flat or two.
-
Allegretto, Op. 82
Cornelius Gurlitt no sharps or flats, 2/4, 32 bars -
The Coventry Carol
Traditional no sharps or flats, 3/4, 32 bars -
Greensleeves
Traditional no sharps or flats, 3/4, 33 bars -
The Wild Rider, Op. 68 No. 8
Robert Schumann no sharps or flats, 6/8, 33 bars -
Walking Tune from Dalarna
Traditional no sharps or flats, 2/4, 33 bars -
Presto, from the Sonata in A minor
Georg Benda no sharps or flats, 6/8, 36 bars -
Waltz, D. 969 No. 9
Franz Schubert no sharps or flats, 3/4, 37 bars -
Farewell, Op. 100 No. 12
Friedrich Burgmüller no sharps or flats, 4/4, 42 bars -
Arabesque, Op. 100 No. 2
Friedrich Burgmüller no sharps or flats, 2/4, 47 bars -
Song Without Words
Fritz Spindler no sharps or flats, 3/8, 49 bars -
Menuet, from the Premier livre
Jean-Philippe Rameau no sharps or flats, 3/4, 52 bars -
Elementary Study, Op. 176 No. 18
Jean-Baptiste Duvernoy no sharps or flats, 3/4, 56 bars -
Rondo alla turca (Turkish March)
Wolfgang Amadeus Mozart no sharps or flats, 2/4, 65 bars, shortened -
Funeral March, from the Sonata No. 2
Frédéric Chopin no sharps or flats, 4/4, 108 bars
Level 4
Real independence between the hands and more accidentals.
-
Little Romance, Op. 68 No. 19
Robert Schumann no sharps or flats, 4/4, 21 bars -
Invention No. 13 in A minor, BWV 784
Johann Sebastian Bach no sharps or flats, 4/4, 25 bars -
Poor Orphan Child, Op. 68 No. 6
Robert Schumann no sharps or flats, 2/4, 33 bars -
Gnossienne No. 2
Erik Satie no sharps or flats, 12/8, 34 bars -
Minore in A minor, K. 15k
Wolfgang Amadeus Mozart no sharps or flats, 3/4, 36 bars -
Sicilienne, Op. 68 No. 11
Robert Schumann no sharps or flats, 6/8, 49 bars -
Gnossienne No. 3
Erik Satie no sharps or flats, 4/4, 54 bars -
Children's Study, Op. 37 No. 38
Henry Lemoine no sharps or flats, 3/8, 56 bars -
Sonatina in A minor
Carl Reinecke no sharps or flats, 4/4, 64 bars -
Gavotte, from the Premier livre
Jean-Philippe Rameau no sharps or flats, 2/2, 65 bars -
Fugue in A minor, B. 144
Frédéric Chopin no sharps or flats, 2/2, 70 bars -
Fantasia in A minor, BWV 904
Johann Sebastian Bach no sharps or flats, 2/2, 74 bars -
Waltz in A minor, B. 150
Frédéric Chopin no sharps or flats, 3/4, 81 bars -
Knecht Ruprecht, Op. 68 No. 12
Robert Schumann no sharps or flats, 2/4, 112 bars -
Fantasia, from the Partita No. 3 in A minor, BWV 827
Johann Sebastian Bach no sharps or flats, 3/8, 120 bars -
Für Elise, WoO 59
Ludwig van Beethoven no sharps or flats, 3/8, 126 bars
Level 5
The edge of early intermediate: dense textures, fast passages and far keys.
Level 6
Intermediate: the notes of level 5 at concert speed, held even from the first bar to the last.
A piece is listed here when its title names the key, its score marks it, or its last bass note is the key note. 13 more library pieces with no sharps or flats end somewhere else, so they aren't on a key page; their own pages give the signature.
Other keys
Every key three or more library pieces are in.